Wireless RGB Lighting Controller
for Stadiums and Large Venues

Each RGB fixture receives three DMX channels: red, green, and blue (plus white for RGBW). Hyperion™ addresses and drives each channel independently at full 8-bit resolution (0–255 per channel), enabling 16.7 million color combinations per fixture.

Color scenes — named snapshots of every fixture's RGB values — are stored directly on each pole controller. Cue sequences (ordered lists of scenes with timed transitions) execute automatically based on schedules or manual triggers. All of this is stored on the hardware, not in the cloud.

FusionMesh™ propagates scene-change commands to all poles within 2–5ms. This means a color transition on pole 1 and pole 40 arrive so close together the human eye perceives them as simultaneous — critical for chase effects and synchronized shows that look wrong with any visible desync.

Any DMX512-compatible RGB or RGBW fixture works with Hyperion™. No proprietary hardware, no approved fixture lists, no vendor lock-in. Up to 170 RGB fixtures (3ch) per pole on a single 512-channel DMX universe.

School & Team Colors

Pre-program your school's primary and secondary colors as named scenes. On game nights, recall "Home Game" — the venue floods with school colors from tip-off to final buzzer. For rivalry games, set up automated light sequences that fire when events trigger. No technician required once scenes are programmed.

Holiday & Seasonal Programs

Schedule-driven RGB programs run automatically based on date ranges — no manual intervention. Program red and green for December, orange and black for October, red, white, and blue for July. The system activates at sunset, runs through the programmed cue sequence, and shuts off on schedule. Year-round community engagement, automated.

Player & Team Intro Sequences

Dynamic pre-game and halftime light shows that build anticipation and elevate the in-stadium experience. Chase sequences across all poles, synchronized flash effects, and color "sweeps" from one end of the venue to the other — all at 2–5ms cross-pole latency so the effect looks intentional, not broken.

Broadcast & TV Production

Television broadcast requires consistent, repeatable color rendering across the entire field of view. Hyperion™'s precise DMX channel control and millisecond synchronization give broadcast engineers exact, repeatable color temperature and RGB output across every pole — no visible color drift between poles, no desync artifacts on camera.

Community Events & Concerts

Graduation ceremonies, community concerts, charity events, and public gatherings all benefit from programmable venue lighting. Reconfigure the entire venue's color output by simply recalling a different scene — no on-site lighting technician needed for standard events once the library is built.

Awareness & Civic Programs

Municipal venues can run month-long lighting programs — pink for breast cancer awareness in October, blue for law enforcement appreciation, rainbow for pride month — automatically, on a schedule, without any manual operation. Illuminate your community calendar with a lighting system that participates.

Hybrid Capability

White Sports Lighting + RGB Entertainment. Same Hardware.

Most venues treat sports lighting and entertainment lighting as two separate systems — a white infrastructure system for daily operations, and a separate color entertainment rig for events. Hyperion™ collapses those into one.

Each Hyperion™ pole controller simultaneously outputs DMX512 for RGB entertainment fixtures and DALI (or 0–10V) for white sports lighting drivers. A game night scene can run full white sports lighting for players and officials while simultaneously running an RGB color show on entertainment fixtures mounted on the same poles.

No additional hardware. No second controller. No second wireless network. One Hyperion™ per pole handles both.

WiFi / Bluetooth Mesh: 50–200ms

Consumer-grade wireless protocols have variable, often unpredictable latency. At 50ms+ desync, a color chase effect that should sweep from one end of the venue to the other instead looks like individual poles randomly changing color — the intended choreography is completely lost.

Gateway Wireless: 15–40ms Typical

Gateway-based wireless systems route all commands through a central hub, adding hub processing time on top of transmission latency. At 15–40ms, subtle desync is still visible on camera and during close observation — particularly for fast chase and strobe effects.

FusionMesh™: 2–5ms

FusionMesh™ is purpose-built for tight timing. The protocol's timing layer distributes synchronization signals ahead of scene-change events, so all nodes execute simultaneously within a 2–5ms window — indistinguishable from wired DMX performance. Chase effects, sweeps, and synchronized flashes look exactly as programmed.

Human perception threshold for visible desync

~20ms

Above 20ms desync, color transitions between poles are noticeably offset. Hyperion™'s 2–5ms is 4–10× better than the visible threshold — indistinguishable from wired.

Zero Cloud Dependency

Your RGB Programs Are Yours. Forever.

Many wireless RGB lighting controllers gate color programming behind active cloud subscriptions. When the subscription lapses — or when the vendor shuts down their cloud service — your color programs disappear.

Hyperion™ stores all RGB scenes, cue lists, and scheduling logic directly on the pole controllers. There is no cloud account. No subscription. No risk. The color programs you build today are still there five years from now — regardless of what happens to any third-party service.

What RGB fixture types does Hyperion™ support?

Any DMX512-compatible RGB or RGBW fixture. There's no proprietary fixture requirement — if it accepts standard DMX512 input, Hyperion™ controls it wirelessly. This includes RGB LED floodlights, wash fixtures, architectural luminaires, and multiparameter entertainment fixtures.

How many RGB fixtures can one Hyperion™ pole controller handle?

Each pole controller outputs a full 512-channel DMX universe. At 3 channels per RGB fixture, that's up to 170 individual RGB fixtures per pole (128 RGBW at 4 channels). In practice most poles drive far fewer fixtures, leaving channel headroom for future expansion or multiparameter fixture profiles.

Can I run RGB entertainment lighting and white sports lighting at the same time?

Yes — this is a core Hyperion™ capability. Each pole controller simultaneously outputs DMX512 (for RGB fixtures) and DALI or 0–10V (for white sports lighting drivers). Both systems run concurrently from a single controller per pole. A "Game Night" scene can set white sports lighting to full output while triggering an RGB color show on entertainment fixtures — no additional hardware.

Does wireless RGB control require an internet connection?

No. Hyperion™ is 100% offline. All RGB scenes, cue lists, and schedule programs are stored on the pole controllers themselves — not in a cloud account. Internet outages, subscription lapses, and vendor service changes have zero impact on your RGB programming.

How does Hyperion™ synchronize RGB color shows across all poles?

FusionMesh™ achieves 2–5ms pole-to-pole synchronization. Scene-change commands reach all poles within that window, so color transitions, chase effects, and fade sequences execute simultaneously across the entire venue. At 2–5ms, the effect is indistinguishable from wired DMX — fully synchronized color with no visible desync between poles.

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